Django Asül: In the lead at the end

His annual reviews have long been a cult classic. Just as his annual Maibock speeches at the Hofbräuhaus are legendary. But when Django Asül puts together a new stage program, it's not about the everyday minutiae of politics and society, but about the big issues. Being up-to-date isn't enough. The responsibility has become heavy. Anyone like Django Asül, a recipient of the Bavarian Order of Merit, the Bavarian Cultural Prize, and the Bavarian Cabaret Prize, has understood: the rough stuff is over – now it's time to get down to business. Regardless of profit. And the audience can be there live. If this announcement is too cryptic for you, let me tell you: Django Asül's eighth solo program can easily compete with any precision instrument made in Germany. Look forward to two hours in which every subordinate clause has the potential to become a main clause.